
Austra - Digital artist, writer/editor
Open for work! Examples of my art in the gallery below
NOTE: I am not interested in training ai.Experience in:- Reference sheets (link to examples above)
- comic art (primary sketch, lining, coloring, shading; link to examples above)
- Writing/editing for comic scripts, prose or essays/articles
- Character and streaming avatar art/design
- Background ArtCurrent art program: Clip Studio PaintContact me for business inquiries via email- See envelope icon below
art gallery
NOTE: I do not currently have connection to a payment processor since I have not received freelance or contract work yet. If necessary, I will make an account ASAP when contacted with a legitimate request. Thank you!
Links to Contacts and Socials
Comic Writing and Process Examples
CHAPTER 1PAGE 11
Panel 1: “Later…” up in the top corner, as white, color-glowing silhouettes of Adia and Ana show up on Patromia.
Panel 2: Closer up view, as the glow fades.
Panel 3: Far away view, background panel? Capricorn with Jade next to her saying, “Good, I’ve been waiting for you two.”
Panel 4: Adia: So what’s on the agenda this time?
Panel 5: Capricorn: Patrols.PAGE 12Panel 1: Adia: Patrols again?
Panel 2: Capricorn: Yes, again. Don’t make light of this, things aren’t looking good.
Panel 3: Capricorn turns and walks towards the mansion. “We’ll talk more inside.”
Panel 4: Ana and Adia look at each other worriedly
Panel 5: Wide shot, shadows of Capricorn leading the way and Ana and Adia hurrying after her.PAGE 13
Panel 1: (back to Capricorn, Adia, and Ana in the meeting room) Shot of the outside of the door to the meeting room, background panel.
Panel 2: Inside the room, Capricorn and Jade on one side of the table, Adia and Ana on the other.
Panel 3: The map, Capricorn pointing to it. “You’ll be taking this area here (forested area, Silver Thorn Woods).”
Panel 4: From below shot of Adia and Ana looking at the map. “Jade and I will take the far end of Reflecting Meadow.”PAGE 14
Panel 1: Capricorn, holding up her wrist to show her communicator: Make sure to call either of us if you run into trouble.
Panel 2: Adia asks, “Is anyone else patrolling today?”
Panel 3: Capricorn: All of the other patrols have been done. It’ll just be us four.
Panel 4: Ana looking concerned, while Capricorn says, “We should be going, we’re losing light. Take Libra’s nuteamoth with you.”
Comic Process Example

Sketch

Lineart

Flat Color

Final Piece
Prices
Reference Sheets
- $50-$100 USD (can vary based on amount of detail requested)Characters
Bust
- Rough Sketch: $5 USD
- Clean Sketch:$10 USD
- Lineart: $15 USD
- Flat Color: $20 USD
- Fully Shaded: $30 USDFullbody
- Rough sketch: $10 USD
- Clean Sketch: $15 USD
- Lineart: $20 USD
- Flat Color: $25 USD
- Shaded: $30 USD(multiple characters: add on $10-$50, depending on how many and what level of detail)Backgrounds/Environmental Art
- $50-$120 USD, depending on level of detail requiredComic Art (per page)
- Primary Sketch: $15 USD
- Lining: $25 USD
- Coloring: $50 USD
- Shading: $60 USD
- Complete page with background art: Depending on level of detail, $80-120 USD
NOTE: Prices do not compound! (e.g., if you ask for a lined comic page, you only pay $25, not $15 + $25)
Reference Sheets
Prose/Story Examples
Untitled Short Story: Living Underwater
Ella looked around her shabby apartment, having just gotten home from work. She took off her oxygen mask and wetsuit, hanging them up to dry. She was still so grateful for the mayor of the city draining water out of this area to give her this space to live in. It wasn’t much, but something was better than nothing.
Ella was a refugee from land, specifically from Neo Elysium. She had decided to come and live in the underwater city of Serpentine Reef because she loved the ocean. Most of her art, which she was attempting to sell to make a profit, was of lovely seascapes. Back on land, she used to paint above water seascapes, but nowadays, since she was surrounded by gorgeous coral reefs and fish, that tended to be what she painted. She even procured herself an underwater camera to take photos so she could use them as references later. It had turned out to be very helpful.
Unfortunately for her, Ella was having trouble selling her art. Maybe it was because so many merpeople knew what the sea looked like already? Perhaps she should start painting things like fields and cityscapes. Hopefully those would sell better.
If only those things still existed peacefully on the surface, Ella thought with a cringe. Loving the ocean hadn’t been the only reason she had moved to Serpentine Reef; poor government and environmental crises had reduced many areas to rubble and abandoned buildings, not to mention burnt trees and bare ground, some from unchecked arson and some from wildfires that were left to burn out by themselves.
Needless to say, Ella decided to leave. However, she didn’t go with most of the refugee groups to a separate country. She had always been fascinated with the idea of living underwater; she had seen several movies and games about the possibility, and wanted to see it for herself. Luckily, there was an actual society underwater that she could live in: Serpentine Reef.
Everyone else around her thought she was crazy. “You won’t be able to live down there,” they said. “It wasn’t built for us!”
Ella didn’t care.
Stream Avatar Designs



Note: The 3rd avatar is mainly a recolor of the 2nd, but I also tweaked some things such as the positioning of the nose and mouth to suit the perspective better. I also added details not included in the previous version.




























